A college football star named Jonathan (Peter Berg) experiences horrifically vivid hallucinations following a concussive collision with a goal post. His first vision depicts the murder of his foster mother and siblings. When he awakes, he finds that his dream actually happened. He’s an eyewitness, but wasn’t physically there, leaving the cops skeptical. Jonathan realizes his visions are a telepathic link to the murderer, Horace Pinker (Mitch Pileggi), which he uses to thwart the next murder in the Midwestern town of Maryville before he kills again. Pinker gets caught and his verdict is death by electrocution. Before Pinker sits in the electric chair, he makes a Faustian deal his jail cell to a television set that allows him to live on after the experience as an entity of electricity that can channel into any electrical network, including people’s bodies, the power grid, and anything plugged into a wall socket, including televisions from coast to coast. After he reveals himself to b Jonathan’s biological father, Pinker makes a violent escape, only this time, he can be anywhere – or anyone – and only his son’s psychic powers might be able to stop his rampage. Wes Craven writes and directs.
Electricity lines between the houses in a suburban Los Angeles neighborhood allow an unseen but powerful malevolent force to enter homes, where it begins twisting the house’s wiring and everything that is plugged into it to its liking. Eventually, it begins using the home’s appliances to torture the inhabitants within. In one home on a cul-de-sac, the father went crazy and began destroying his home. Now it seems to be threatening the home across the street, where an 11-year-old boy named David (Joey Lawrence) is visiting his divorced father (Cliff De Young) for the summer. David seems to know what’s going on, but he can’t leave until he convinces his skeptical father before they’re stuck in a high-voltage death trap.
Roxanne Hart and Matthew Lawrence also appear in this 1988 eerie story written and directed by Paul Golding.