Monthly Archives: May 2018

The Transformers: The Movie (1986) | Nelson Shin

Those MARVEL-ous Toys, , , , , , , , , ,

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The first of four feature-length ventures between Marvel Productions and Sunbow Entertainment that centered on toys made by Hasbro, THE TRANSFORMERS: THE MOVIE would make for an ambitious way to not only sell toys and entertain fans, but also to set for a new course for the animated TV series, in this bridge between the second and third seasons of the show.  A critical and commercial misfire, the film has gained cult status among Transformers property aficionados and lovers of cultural oddities of the 1980s, not only for its bold story choices, but also for its eclectic voice actors (Orson Welles, Judd Nelson, Eric Idle, Leonard Nimoy, Casey Kasem, Robert Stack, Lionel Stander, John Moschitta Jr, and Scatman Crothers), as well as its driving hair-metal soundtrack.

Masters of the Universe (1987) | Gary Goddard

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The Cannon Group took a bath with the failure of MASTERS OF THE UNIVERSE in 1987, a film that had gone over budget and well beyond schedule.

The film starts off in the mythical land of Eternia, where the ruthless villain Skeletor (Frank Langella) has managed, with the help of a powerful musical cosmic key, to capture Castle Grayskull, the source for a wealth of magic and power in the region.  Skeletor has taken the powerful good Sorceress (Christina Pickles) prisoner and has been draining her of her essence to channel into his own, making him more powerful as time goes on.  However, the great hero of Eternia, He-Man (Dolph Lundgren), is still free, and with his cronies, the faithful Man-at-War (Jon Cypher) and his daughter Teela (Chelsea Field), he seeks to thwart Skeletor’s plans for dominion over Eternia and restore Castle Grayskull back to its original state.

Their plans go awry when the cosmic key’s creator, the dwarven creature known as Gwildor (Billy Barty), opens up a portal to modern Earth with a prototype of the same key for them to escape Skeletor’s clutches.  The key is lost on arrival to Earth, soon found by a couple of high school aged teens named Julie (Courteney Cox) and Kevin (Robert Duncan McNeill), who activate it thinking it must be some newfangled musical device.  However, using the device alerts Skeletor as to its whereabouts, and once he has pinpointed its location, he sends a band of mercenaries to recover the key and ensnare He-Man, of whom he plans to make an example of in custody to break the will of any would-be heroes left in Eternia.

Excalibur (1981) | John Boorman

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John Boorman’s polarizing but highly ambitious take on Arthurian legend is a visually and aurally striking look into the myth, the fantasy, and the haunting imagery that the medieval Thomas Malory tale has evoked over the last several centuries.  A then-nobody, but now all-star cast that includes Helen Mirren, Liam Neeson, and Patrick Stewart appears alongside stars Nigel Terry and Nicol Williamson to spin this sword-and-sorcery take on this well-known tale unlike any other that has seemingly come before or since.

The Black Cauldron (1981) | Richard Rich & Ted Berman

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1985’s THE BLACK CAULDRON represents Disney at its nadir as an animation studio, resulting in a box office failure and years of obscurity.  It’s first PG-rated animated feature struggled to find an audience clamoring for its dark and violent tones.  However, it has garnered a significant cult following over the years, with its tales of swords, sorcerers, and black magic-infused battles brought to life with stunning visuals that incorporate the studios first forays into computer-generated elements into its hand-drawn animated cels.  Does it deserve obscurity, or is it about time to reappraise a hidden gem in Disney’s vast and storied filmography?