Escape from New York is set in a future 1997, during a time when, after the crime rate has skyrocketed out of control, the island of Manhattan has been turned into an ultra-maximum security prison where the worst of the worst violent criminals are put to live in a state of walled-in anarchy. A potential global crisis emerges when Air Force One is hijacked, forcing the President’s (Donald Pleasance) escape pod to crash land on the island, where he is immediately taken and held hostage by the criminals there, led by the vicious warlord, The Duke (Isaac Hayes). As they will kill the President if any cop sets foot on the premises, the government recruits eye patch-wearing Snake Plissken (Kurt Russell), a former military hero turned criminal who has been recently sentenced to the island, in exchange for not only his freedom, but, due to a bomb implanted inside him set to detonate in mere hours, his life. Plissken has less than 24 hours to get the President out alive so that he can get some critical information delivered in time for an important political conference that might save the planet from a dark destiny. Co-written, directed, and scored by John Carpenter.
Category Archives: Future Dystopia
In this breakthrough anime masterwork, Akira starts out in 1988, much of Tokyo is destroyed by a mysterious that spreads like a dome of energy over the city. The rest of the film is set in the year 2019, as we peek into the post-apocalyptic megalopolis that has been rebuilt as Neo-Tokyo, where the government is corrupt, civil unrest looms large, and biker gangs run the streets. One member of such a biker gang is Tetsuo Shima, who ends up seemingly running into an escapee from a government experiment who uses some sort of powers to protect himself from getting run over. The escapee is taken back into custody, as is Tetsuo, who also becomes part of the experiment to bring out his dormant psychic abilities, trying to give their subject the ability to read minds and perform telekinesis. However, due to Tetsuo’s difficult life, the powers he attains becomes more than the less-than-grounded lad can handle emotionally, so he springs himself from the lab and begins to wreak havoc on the streets of Neo-Tokyo, on a search for the powerful but absent entity known as Akira, who is seen as the person responsible for causing the explosion in 1988. Tetsuo’s emergence raises the specter of Akira anew, as the protestors in the city see him as a force to stem the tide of a military takeover, with all of the tension threatening to destroy the city all over again if his friends can’t stop the rampage. As the city seeks to rebuild, especially in the wake of the upcoming 2020 Olympic Games, the problems that once plagued the city have continued to manifest, with history doomed to repeat itself for never addressing the woes the first time around.
The date is November 2019. The city is Los Angeles. Earth has undergone massive population explosions in the urban areas, the city landscape is a mish-mash of every culture, and almost everywhere you go there are advertisements. The most prominent of these advertisements is floating space-barge advertising the Off-World colonies, offering excitement and adventure. It appears there’s much excitement to be true, when six replicants (android-like creations that resemble humans in nearly every possible way, with the exception of enhanced agility and strength, constructed to work as slaves in off-world colonies) commit mutiny and escape to Earth, where they have been outlawed under penalty of death, to find a way to increase their four year lifespan, causing a Blade Runner named Deckard (Harrison Ford), a special LAPD task force whose job is to kill any and all replicants, to come out of retirement. This visionary sci-fi masterwork is directed by Ridley Scott.