The events of Psycho III take place not long after Psycho II, as Norman Bates (Anthony Perkins), still the sole caretaker of the Bates Motel, ends up hiring a temporary new assistant in the wily rogue musician who goes by the name of Duane Duke (Jeff Fahey). He also has a new patron staying in cabin #1, a spiritually faltering (and suicidal) former nun with an uncanny resemblance, not to mention the same initials, of victim Marion Crane, Maureen Coyle (Diana Scarwid). Norman is intensely attracted to Maureen, and the feeling is perhaps mutual, but with jealous Mother Bates always dictating Norman’s actions, that doesn’t bode well for her longevity. Meanwhile, tenacious reporter Tracy Venable (Tracy Maxwell) is trying to discover the whereabouts of a missing woman and is sure that she must have met her fate with Norman, though Sheriff Hunt (Hugh Gillin) thinks it another case of people just out to pick on poor Norman for his past transgressions. Anthony Perkins directs.
Monthly Archives: May 2022
Norman Bates (Anthony Perkins) finally gets his release from a California mental institution after he is found guilty by reason of insanity for the heinous murders he committed over 22 years prior. Lila Loomis (Vera Miles), sister of one of Bates’ victims, has her pleas for a non-release fall on deaf ears. Having been declared of ‘sound mind’ again, Norman returns to his gothic childhood home and Bates Motel near Fairvale, CA, and takes up a job while on parole at a diner nearby. Norman becomes fast friends with a waitress there named Mary Samuels (Meg Tilly), and he ends up offering her a room for a while after her boyfriend tosses her out for someone new. However, as much as Norman tries to put the past behind him, he is beginning to get that old feeling again, as he begins receiving handwritten notes and phone calls from his mother, as well as her appearance in the house at various times, and people begin to start dying once again.