Star Trek IV starts with our heroes on planet Vulcan, loading up to go home and face punishment from the Federation for their hijacking of the Enterprise and its subsequent destruction, as well as the sabotage of the Excelsior. As they approach Earth, they find that a giant space probe is threatening to destroy the planet, emitting a signal that those on Earth are baffled how to respond to. It is determined that the probe is sending messages in the language of humpback whales, which have been extinct for over 200 years. With seemingly no obvious solution, Kirk and crew decide to time warp back to the late 20th Century to snatch a couple of humpbacks to bring back with them in the hopes of saving the Earth. They discover two whales in captivity at a San Francisco Cetacean institute. Still, they have only a limited amount of time to figure out how to transport these whales in tons of seawater, in addition to needing to harvest enough nuclear energy to send their tapped out ship back to the future. Leonard Nimoy directs.
Monthly Archives: January 2020
Star Trek III starts off with the weary Enterprise crew returning home after their near-death battle with Khan, and the actual death of Spock, whose body had been torpedoed to the Genesis world, which was a newly transformed planet, formerly without life. While all involved are a bit worse for wear, the biggest effect on a crew member seems to be with Dr. McCoy (DeForest Kelley), who is exhibiting strange behavior that suggests he may be cracking from the experience, babbling something about returning to Spock’s homeworld of Vulcan. Spock’s father, Sarek (Mark Lenard), is convinced that Spock’s “essence” has somehow been transferred to another before his death through a mind-meld, which would explain McCoy’s behavior. With an unknown life form recently found on the Genesis planet, Kirk (William Shatner) wants to visit and find out if Spock’s body is also reincarnated, but the instability of the area makes it off-limits to anyone but science officers. Kirk and company must hijack their old ship, against orders, but soon finds that murderous Klingons have discovered news of the Genesis Project, and are willing to kill anyone in order to gain information on the process. Leonard Nimoy directs.
With Star Trek II: The Wrath of Khan, the series took a swing in the exact opposite direction from Star Trek: The Motion Picture, putting things on a raw emotional level. This is a sequel, not of the first film, but of an original “Star Trek” episode, “The Space Seed”, also starring Ricardo Montalban in the Khan role. Now, it is 15 years later, and Khan and his men are marooned on a desert planet which is slated as an experiment in the Federation’s Genesis project. This project is actually a bomb of sorts that can take any uninhabited planet and make it habitable for life as we know it, transforming it into a tropical paradise. Khan hijacks a small cruiser piloted by Chekhov (Walter Koenig) and the duel between Khan and Kirk (William Shatner), the man with whom he is filled with hatred, for control of the bomb and for sheer revenge. Nicholas Meyer directs.
Fast approaching Earth is a cloudlike alien entity that has destroys all that approaches its nebulous form. The not-quite-fully-refitted Enterprise is the closest vessel available in its approach toward Earth. Admiral Kirk (William Shatner) pushes his way to take over the mission over the man he picked for his successor as the captain, Willard Decker (Stephen Collins). Kirk makes every attempt to reason with this living entity, who goes by the moniker, V’ger. V’ger abducts the Enterprise’s navigator, Ilia (Persis Khambatta), who then returns in a mechanical form, giving voice to the entity. The bad news: V’ger wants to rid the Earth of all the carbon-based life forms, effectively ending life as we know it for everyone on the planet unless Kirk and company can save the day. Leonard Nimoy, DeForest Kelley, James Doohan, George Takei, Walter Koenig, and Nichelle Nichols return to their iconic roles. Robert Wise directs.