In this three-part TV miniseries sequel, the Resistance is fending off the pressing Visitors, who continue to fool the people of Earth by controlling the media, while depleting the planet of precious water and rounding up humans for food. The resistance scientists hope, hoping to find a weakness in the overpowering Visitor defenses that will help them turn the tide of the war. However, the Visitors still manage to gain the upper hand, especially when they capture Resistance leader Juliet Parrish (Faye Grant), who the scheming Diana (Jane Badler) tries to break with intense conversion techniques. Meanwhile, Robin Maxwell (Blair Tefkin) is dealing with her pregnancy from the lizard-like aliens, horrified at what kind of baby she will have. Marc Singer co-stars. Richard T. Heffron directs.
The people of Earth are visited and befriended by a human-like race from outer space inhabiting massive spacecraft, 50 of them measuring three miles in diameter, hovering over cities throughout the world. These newcomers speak Earth’s languages fluently, though they have distinct electronic-sounding voices and are so sensitive to light that they frequently wear sunglasses. They’re called the Visitors by the people of Earth. They’ve come to our planet for resources that we can manufacture for their people to survive in exchange for their vast knowledge of technology and medicine. They become celebrities welcomed by humans worldwide.
Manufacturing ramps up while the Visitors take over media outlets, shaping public opinion for their cause against the world’s scientists and any others who might figure out how to stop their domination, registering them to track their whereabouts, and imposing their influence upon the world. Revealed within the tale is that the Visitors are a race of carnivorous reptilians donning elaborate human disguises to suck the Earth completely dry of its water and to harvest humans for food. Kenneth Johnson writes, directs, and produces. Marc Singer, Faye Grant, and Jane Badler star.
The moon of Endor gets attacked by a vicious band of thuggish Sanyassan marauders, whose ancestors also crashlanded on Endor some time ago, and a powerful shape-shifting sorceress named Charal under the leadership of King Terak. They attack the Ewok village, taking the crashed Towani ship’s power source after killing Cindel’s family, then take away all of the Ewoks except Wicket back to their dungeons as prisoners.
While roving the forest, Cindel and Wicket encounter a mysterious creature named Teek who leads them to the home of a grumpy hermit named Noa Briqualon, who we come to find has also crashlanded there. Noa wards them off, but his icy exterior melts to friendship, leading to Teek and Noa helping them on their quest to free the imprisoned Ewoks from the marauders’ castle. King Terak is confident that the powerful crystal that is an energy cell used by the Towani family star cruiser has magical powers. The power, Terak feels, will get them off of Endor and that Cindel must be some sorceress who can tap into those powers.
George Lucas’s story for this made-for-TV spin-off from the Star Wars films involves a spacecraft that crash lands on Endor. The mother and father spend the film looking for their two children, a fourteen-year-old named Mace Towani and his four-year-old sister, Cindel, not knowing that they’ve been taken in by the kindly Ewoks whose village lies a bit of a distance away from the crash site. Cindel befriends the Ewoks instantly, but Mace is not too sure about their intentions, concentrating more on finding the monstrous, ax-wielding Gorax might have captured the whereabouts of their parents, who the Ewoks begin to suspect. They set about building a caravan to head to the Gorax lair on the hope they can rescue the parents before it’s too late.
With Star Trek II: The Wrath of Khan, the series took a swing in the exact opposite direction from Star Trek: The Motion Picture, putting things on a raw emotional level. This is a sequel, not of the first film, but of an original “Star Trek” episode, “The Space Seed”, also starring Ricardo Montalban in the Khan role. Now, it is 15 years later, and Khan and his men are marooned on a desert planet which is slated as an experiment in the Federation’s Genesis project. This project is actually a bomb of sorts that can take any uninhabited planet and make it habitable for life as we know it, transforming it into a tropical paradise. Khan hijacks a small cruiser piloted by Chekhov (Walter Koenig) and the duel between Khan and Kirk (William Shatner), the man with whom he is filled with hatred, for control of the bomb and for sheer revenge. Nicholas Meyer directs.
Aliens starts where the first one leaves off, with Ripley (Sigourney Weaver) in hypersleep drifting in the escape shuttle. What Ripley doesn’t know until after she is rescued is that she has been that way for 57 years. When she gets back, the company that owned her ship is very interested in why she decided to blow it to smithereens, and are not too impressed with her implausible “alien on board” story, since they have recently inhabited the newly terraformed world Ripley claims to have encountered the alien on, and have found nothing to indicate there is any danger there. That is, until the company loses all signal from the far-off settlement, and offers Ripley full reinstatement if she will act as an advisor to a squad of Marines sent to investigate the affair. Features Michael Biehn, Carrie Henn, Lance Henriksen, and Bill Paxton in support. Written and directed by James Cameron.
The story begins in the year 2122, onboard the commercial towing vessel, the Nostromo. Its mostly blue-collar crew, five men and two women, are awakened prematurely while still in deep space from their cryogenic slumber en route back to Earth. The reason for their early disturbance has to do with the company’s policy to investigate potential alien life forms, so when what appears to be an SOS signal is being transmitted from a moon in their relative vicinity, their overriding primary mission is changed to checking out the situation. Upon landing on the desolate planet, the scientists discover what appears to be eggs containing another form of life, one of which hatches and latches itself to one of the crew. Unable to remove the creature, it is brought back on board the Nostromo, where it grows at a rapid pace to become one of the deadliest killing machines humankind has ever faced. Alien would make a star out of Sigourney Weaver, and Ridley Scott one f the most sought-after directors in Hollywood.
This final entry sees the Empire creating a new Death Star, a feat with such magnitude, even the Emperor himself has come to oversee the progress. Meanwhile, a rescue attempt is underway to try to spring Han Solo from his icy trap in Jabba the Hut’s lair. Luke has grown in his Jedi training, but only a confrontation with Darth Vader will make the transformation complete, and its a showdown Luke wants to avoid now that familial ties have been revealed. The Rebellion once again plans to destroy the Death Star before it becomes functional by eliminating the force field surrounding it generated by a base on a nearby planet, but the Emperor isn’t a fool, and has a few surprises up his sleeve.