Tag Archives: space

Outland (1981) | Peter Hyams



Sometime in the future, humans establish a mining operation on Io, a volcanic moon orbiting Jupiter, a week’s distance from the nearest space station. The mining base is currently shattering records for productivity.  Sean Connery is William T. O’Niel (Sean Connery), in his second week of a one-year stint as the federal district marshal of this isolated space community. “Work hard, play hard” is the motto of the mining operation’s general manager, Mark Sheppard (Peter Boyle), who touts production numbers as proof his philosophy works. The marshal is alarmed by the increasing rash of suicides and violent outbursts among the miners. No autopsies are ordered and the bodies are loaded on departing shuttles, disposed of through a ‘burial in space’.

The marshal’s wife (Kika Markham) says she’ll leave him if he continues his new assignment, so that their young son, who has been shuttled around in space all of his life, can experience a normal life on Earth. No one else, not even his deputies, wants to rock the boat to get to the reason there are so many suicides. By monitoring Sheppard’s goons, the marshal discovers that the company is selling the workers an amphetamine-like synthetic narcotic that produces hyperactivity. This exponentially increases their productivity, each of them averaging the sum of doing fourteen hours’ worth of work during a six-hour shift. This is great for their bonuses, but the drug carries a nasty side effect for some of them, bouts of severe psychosis after nearly a year of taking the drug. When the marshal decides this can’t continue, the company will do anything to assure he’s out of the way so their gravy train keeps rolling along. Peter Hyams directs from his screenplay.


Alien (1979) | Ridley Scott



The story begins in the year 2122, onboard the commercial towing vessel, the Nostromo. Its mostly blue-collar crew, five men and two women, are awakened prematurely while still in deep space from their cryogenic slumber en route back to Earth.  The reason for their early disturbance has to do with the company’s policy to investigate potential alien life forms, so when what appears to be an SOS signal is being transmitted from a moon in their relative vicinity, their overriding primary mission is changed to checking out the situation.  Upon landing on the desolate planet, the scientists discover what appears to be eggs containing another form of life, one of which hatches and latches itself to one of the crew.  Unable to remove the creature, it is brought back on board the Nostromo, where it grows at a rapid pace to become one of the deadliest killing machines humankind has ever faced. Alien would make a star out of Sigourney Weaver, and Ridley Scott one f the most sought-after directors in Hollywood.


Star Wars: Episode IV – A New Hope (1977) | George Lucas



The inaugural review of the 1980’s film retrospective, looking at George Lucas’ monumental blockbuster.  Yes, it’s from 1977, but it’s mandatory to cover in order to comment on the later films.

The plot: A couple of robots shuttle to a desert planet after their rebel spaceship is taken over by an Imperial star cruiser, capturing everyone on board including the Rebel Alliance princess, Leia. Leia has sent the robots to Tatooine to convey a message to a man named Obi-Wan Kenobi, who she claims is the only hope left for the rebels to beat the evil Empire.  A pair of Tatooine farmers buy the droids after they are captured by some scavengers to use on their farm, and after the farmer boy, Luke,discovers the princess’ message, he heads to Obi-Wan to deliver it. While he is away, his family is killed by the Empire seeking the droids, as they make their escape from the planet with the aid of a galactic smuggler named Han Solo, and make their way to help the princess, who is now aboard a space station powerful enough to destroy an entire planet in seconds, the Death Star, to which the rebels have obtained plans that reveal a weakness to destroy it — if only their home base doesn’t get destroyed first.