Tag Archives: revenge

The Horror Show (aka House III) (1989) | James Isaac

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After viciously murdering over 110 people, the serial killer known as ‘Meat Cleaver Max’ Jenke (Brion James) gets the death penalty, sentenced to fry in the electric chair. Max doesn’t go easily, staying alive for nearly ten minutes as they zap him with everything they have before expiring. However, something happens in the process of electrocution that allows Jenke to live on as a supernatural entity of electricity – one that seeks revenge on the cop that arrested him, Lucas McCarthy (Lance Henriksen). McCarthy suffers from PTSD, forced into a leave of absence while seeing a psychologist until well enough to return as a detective. However, despite seeing Jenke executed with his own eyes, McCarthy sees him everywhere – in his dreams, on his TV, and popping up whenever he’s out and about. Either Jenke truly is a supernatural being taking up residence in McCarthy’s furnace, or McCarthy’s delusional and putting his family in grave danger.

Erratum: Once again, I refer to composer Harry Manfredini as Henry Manfredini, likely because of the composer Henry Mancini.

Revenge of the Nerds (1984) | Jeff Kanew

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Best friends Louis (Robert Carradine and Gilbert (Anthony Edwards) head off to Adams College together only to find that the jocks that belong to the fraternity called Alpha Beta have taken over the dorms after they burn down their own frat house.  In order to stop having to live in the gym, the former dorm residents must try to get into a fraternity or sorority of their own, but Lewis and Gilbert, along with several other misfits, are all shunned away — because they are nerds.  Since no one will take them, they decide to start their own fraternity.  However, this still makes them the target for many pranks initiated by the Alphas, and now the nerds are pissed — they vow revenge! Directed by Jeff Kanew.

Red Sonja (1985) | Richard Fleischer

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An unofficial spinoff of sorts to the Conan franchise, Red Sonja starts off with Sonja (Brigitte Nielsen) as an attractive farm girl that evil lesbian Queen Gedren of Berkubane (Sandahl Bergman) finds fetching enough to invite over.  Sonja finds the offer so repulsive she ends up giving the queen’s face a nasty gash. Spurned, Sonja’s family is soon murdered by Gedren’s army, while they also destroy her home and she ends up raped by Gedren’s soldiers.

Gedren seeks a powerful talisman, which grows stronger the more exposure it has to light, enough to destroy the world if left unchecked within a couple of weeks. Gedren has the all-female guards (only women can touch it) at the temple protecting the talisman massacred and takes it for herself.

After a forest spirit grants her great abilities to wield a sword, Sonja vows revenge, soon going off to the Orient to train with the masters on sword fighting, who end up giving her a powerful sword. On her quest, she meets a mysterious stranger named Lord Kalidor (Arnold Schwarzenegger), a protector of the Order of the Talisman, who tells Sonja about her dying sister, who took an arrow to the back from one of the Queen’s soldiers. In her sister’s final words, Sonja gets a mission to stop Gedren’s quest to use the talisman to destroy the world, and she has fourteen days to do it.

Richard Fleischer directs this Dino De Laurentiis production.

Conan the Barbarian (1982) | John Milius

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The setting of this fantasy-adventure based on Robert E. Howard’s literary creations is the Hyborian Age, a fictional period invented by Howard, around 10,000 B.C. It is a time of magic, madmen, and mercenaries, and barbarians who kill before they end up killed. The film starts with Conan (Arnold Schwarzenegger) as a young lad in Cimmeria, orphaned at the hands of an evil snake cult-leader and a black-magic sorcerer named Thulsa Doom (James Earl Jones), and becomes a slave.  As he grows, he soon fights in an arena for sport and becomes very good at what he does.  Soon, he escapes and uses his freedom to seek revenge on the man responsible for the murder of his parents, with some help from new friends he meets along the way. Sandahl Bergman, Gerry Lopez, Mako, and Max Von Sydow co-star. John Milius directs. Milius and Oliver Stone script.

Fire and Ice (1983) | Ralph Bakshi

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This animated story involves a fantasy world imagined before the last ice age, featuring human civilizations and exotic dinosaurs coexisting. It is a time where the lands are divided among two factions, the evil Ice Peak sorcerer warlords, Queen Juliana and her wicked son Nekron, leading an army of ape-like subhumans, and the goodly Fire Keep clan led by King Jarol. The ice clan’s Nekron is using his telekinetic powers to send giant glaciers out to freeze over the rest of the world, forcing the good humans to set up camp near the volcanoes.

Our main hero is vengeful Larn, the survivor of North Village from one of Nekron’s glacier attacks that takes out his people. Jarol’s beloved teenage daughter Princess Teegra gets kidnapped from Nekron’s subhuman minions. Teegra manages to escape and runs into Larn, and the two form an instant romantic bond. As King Jarol sends his son Taro and his men to seek a peaceful solution, Larn makes his way to Nekron’s abode, joining forces with a mysterious warrior named Darkwolf, who also is traveling to the Ice City to thwart the Ice Lord’s wrath.

Ralph Bakshi directs. Frank Frazetta co-produces.

Star Trek II: The Wrath of Khan (1982) | Nicholas Meyer

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With Star Trek II: The Wrath of Khan, the series took a swing in the exact opposite direction from Star Trek: The Motion Picture, putting things on a raw emotional level. This is a sequel, not of the first film, but of an original “Star Trek” episode, “The Space Seed”, also starring Ricardo Montalban in the Khan role. Now, it is 15 years later, and Khan and his men are marooned on a desert planet which is slated as an experiment in the Federation’s Genesis project. This project is actually a bomb of sorts that can take any uninhabited planet and make it habitable for life as we know it, transforming it into a tropical paradise. Khan hijacks a small cruiser piloted by Chekhov (Walter Koenig) and the duel between Khan and Kirk (William Shatner), the man with whom he is filled with hatred, for control of the bomb and for sheer revenge. Nicholas Meyer directs.

Commando (1985) | Mark L. Lester

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In this onscreen persona-defining movie, Arnold Schwarzenegger stars as Col. John Matrix, a highly-trained military special-ops expert whose unit was disbanded and now live under secret identities in retirement.  Matrix spends his days as a single father taking care of his spirited young daughter, Jenny (Alyssa Milano), to whom he has promised not to go out on any more special missions.  However, John’s hand is forced when Jenny is abducted by a displaced South American dictator (Dan Hedaya) of a banana republic named Val Verde who wants his old gig back, planning to use her for ransom as John puts out an assassination on the current leader.  Thinking that Jenny will be killed even if he fulfills the demands, Matrix sets about dismantling the small army the dictator has around him, with the help of an airline attendant named Cindy (Rae Dawn Chong), in the hope that he can rescue his daughter before she is offed. Mark L. Lester directs this humorously over-the-top actioner from a Steven E. de Souza script.

Mad Max (1979) | George Miller

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Set in the near future, Mel Gibson stars as the titular Max, one of the best police officers working for the MFP fighting against the increasingly hostile lands, full of marauding car and biker gangs who have no regard for life, or for laws, and especially not for law officers.  One such gang of bikers, led by a psychopath named Toecutter, is on the rampage and is targeting MFP officers who’ve messed with their way of doing things, putting them all in potential harm’s way.  A family man, Max doesn’t know if he’s really cut out to put his neck on the line in a losing battle against anarchy.  He soon discovers there is not much escape from the criminal element that has permeated everywhere, and it’s kill or be killed in the lawless and bloodthirsty territories.  George Miller directs in this wildly successful action vehicle that propelled Mel Gibson, and Australian cinema itself, to even greater success.

She-Devil (1989) | Susan Seidelman

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Roseanne Barr stars as Ruth Pratchett, a devoted wife to her accountant hubby Bob (Ed Begley Jr.), and mother to two precocious children.  One day while attending a swank party, Bob meets and eventually has a fling with best-selling romance novelist Mary Fisher (Meryl Streep), and while they do their best to keep things under wraps, Ruth knows better.  As their marriage falls apart, Ruth vows revenge, and set about destroying all of the things good old Bob and his mistress hold dear – his home, his family, his career, and his freedom. Susan Seidelman directs this cult comedy.

A Nightmare on Elm Street (1984) | Wes Craven

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Wes Craven refreshed the struggling slasher film genre with this more surreal and intense take, saving New Line Cinema with one of the big surprise hits of 1984: A NIGHTMARE ON ELM STREET.  Heather Langenkamp  stars as Nancy Thompson, who finds out that she is not alone in having a recurring dream about a badly burnt and scarred man named Freddy Krueger who terrorizes her with horrific acts of terror (Craven says that the character’s name was based on a school mate who bullied him as a child).  What’s even more scary is that her friends are starting to die mysteriously, and Nancy is sure that if she were to fall asleep and dream, she will be next in line to be a victim.  Her parents think here is something wrong with her, and the local police can’t believe a word of it, so she must fend for herself.  But surely she can’t stay awake forever! John Saxon, Johnny Depp and Robert Englund also co-star in this first of many films in the long-running and beloved horror series.