Janet Leigh starts off the film as Marion Crane, a clerk in a real estate office engaged in a romantic fling with Sam Loomis (John Gavin), the manager of a hardware store in Phoenix, Arizona. When she’s given the task of depositing $40,000 in cash into the bank, Marion impulsively decides to keep it, and drives off to California, perhaps to Sam’s hometown, Fairvale, with the freedom to pursue Sam without concern for finances. En route, her paranoid fears get the best of her, as she begins to have second thoughts, but a powerful storm forces her off the beaten track in search of a place to stay, and she comes to the Bates Motel, a completely vacant establishment with “12 cabins, 12 vacancies”. The motel is run by Norman Bates (Anthony Perkins), a shy but friendly man who is excited to not only have his first visitor in weeks, but also one as attractive as Marion, who signs in under a pseudonym. But Norman’s mother, who resides on a small hill overlooking the establishment, isn’t going to lose Norman to just any visiting trollop who comes along without a fight. Alfred Hitchcock directs.
A college football star named Jonathan (Peter Berg) experiences horrifically vivid hallucinations following a concussive collision with a goal post. His first vision depicts the murder of his foster mother and siblings. When he awakes, he finds that his dream actually happened. He’s an eyewitness, but wasn’t physically there, leaving the cops skeptical. Jonathan realizes his visions are a telepathic link to the murderer, Horace Pinker (Mitch Pileggi), which he uses to thwart the next murder in the Midwestern town of Maryville before he kills again. Pinker gets caught and his verdict is death by electrocution. Before Pinker sits in the electric chair, he makes a Faustian deal his jail cell to a television set that allows him to live on after the experience as an entity of electricity that can channel into any electrical network, including people’s bodies, the power grid, and anything plugged into a wall socket, including televisions from coast to coast. After he reveals himself to b Jonathan’s biological father, Pinker makes a violent escape, only this time, he can be anywhere – or anyone – and only his son’s psychic powers might be able to stop his rampage. Wes Craven writes and directs.
In the future, Earth is a polluted wasteland. People have resorted to drugs and promiscuity while relying on off-world food production systems for salvation. Research chemists Major Adam (Kirk Douglas), his young assistant/lover Alex (Farrah Fawcett), and their dog Sally are the sole residents of the subterranean Experimental Food Research Station on Saturn’s third moon, Titan. Unable to maintain quota for the last three years, Earth decides to dispatch another scientist to help them meet Earth’s food needs.
That scientist is a mentally unstable opportunist, Captain Benson (Harvey Keitel), a flunky from astronaut school who usurped the pilot position after killing the intended dispatch, Captain James. While Saturn 3 goes into a 22-day blackout period in the eclipse, Capt. Benson’s puts together the first of a new line of “demigod series” helper robots, Hector. Hector’s memory utilizes unprogrammed human brain tissue and receives its programming via a connection to an electric probe in Benson’s head. Unfortunately, Hector also assumes the same traits of Benson, a flawed, murderous, lustful individual who secretly desires to take over the lab and use Alex for his pleasure. Hector has no such secret, proceeding to terrorize all three of the humans in his quest for dominance.
Stanley Donen directs from a Martin Amis script, based on a story by John Barry.
C. Thomas Howell stars as Jim Halsey, a young Chicago native driving a car cross-country to California. The Texas road he’s currently on is lonely and Jim is tired, but he spies a way he might stay awake in the form of hitchhiker John Ryder (Rutger Hauer). It doesn’t take long before Jim becomes unnerved by his new passenger, as Ryder claims he’s decapitated viciously the last person to give him a ride and that he will do the same to Jim. Jim finds a way to kick Ryder out of the vehicle, but he keeps showing up again, killing more victims along the way. Things go from horrific to maddening once the grisly body count rises and Jim becomes implicated in the murders, as all signs seem to point to him. Jennifer Jason Leigh gets a supporting role in this stylish and twisted cult thriller.