The fifth entry in the A NIGHTMARE ON ELM STREET series sees the return of Lisa Wilcox as the heroine, Alice, taking on Freddy Krueger (Robert Englund) yet again, who has come back to haunt her nightmares through her unborn child. Freddy wants to be reincarnated by feeding the fetus the soul of Alice’s friends, and with the baby asleep most of the time, the terrifying dreams seem non-stop. Stephen Hopkins directs this darker and gloomier installment.
A very speedy follow-up to A NIGHTMARE ON ELM STREET replaces Wes Craven as the creative force, taking the series in a new and unexpected direction under the guiding influence of Jack Sholder. Screenwriter David Chaskin supplies the subversive screenplay that caused it to become a cult hit in the gay horror-loving community for its homoerotic subtext that adds one more layer to this story of a confused teenage boy struggling to control his impulses driving him to commit heinous acts, with only the love of his gal pal to perhaps curb him from doing Freddy’s bidding. While derided at the time of its release, the film has its champions, even if it deviates the most from Craven’s vision among the sequels. Mark Patton, Kim Myers and Robert Englund star.