In this breakthrough anime masterwork, Akira starts out in 1988, much of Tokyo is destroyed by a mysterious that spreads like a dome of energy over the city. The rest of the film is set in the year 2019, as we peek into the post-apocalyptic megalopolis that has been rebuilt as Neo-Tokyo, where the government is corrupt, civil unrest looms large, and biker gangs run the streets. One member of such a biker gang is Tetsuo Shima, who ends up seemingly running into an escapee from a government experiment who uses some sort of powers to protect himself from getting run over. The escapee is taken back into custody, as is Tetsuo, who also becomes part of the experiment to bring out his dormant psychic abilities, trying to give their subject the ability to read minds and perform telekinesis. However, due to Tetsuo’s difficult life, the powers he attains becomes more than the less-than-grounded lad can handle emotionally, so he springs himself from the lab and begins to wreak havoc on the streets of Neo-Tokyo, on a search for the powerful but absent entity known as Akira, who is seen as the person responsible for causing the explosion in 1988. Tetsuo’s emergence raises the specter of Akira anew, as the protestors in the city see him as a force to stem the tide of a military takeover, with all of the tension threatening to destroy the city all over again if his friends can’t stop the rampage. As the city seeks to rebuild, especially in the wake of the upcoming 2020 Olympic Games, the problems that once plagued the city have continued to manifest, with history doomed to repeat itself for never addressing the woes the first time around.
Linda Hamilton returns as buffed out Sarah Connor, the mother of humanity’s future savior, now holed up in a mental institution for her claims that the world is going to end in an apocalyptic nuclear war instigated by a sentient advanced computer system. That savior, John (Edward Furlong), is a rebellious teen living in foster care who soon learns his mother isn’t a crackpot after all after being chased by a cop who is actually a T-1000 model Terminator – a shape-shifting, liquid metallic artificial entity (Robert Patrick) – sent from the future to kill him. John’s own savior is a T-800 cybernetic organism (Arnold Schwarzenegger) identical to the one sent to kill Sarah years before, only this time, his future self reprogrammed one of them to send back and protect the boy and mother. However, the older model is barely a match for the nearly indestructible, futuristic killing machine, and a chase ensues that sees Sarah and company trying to stay alive while destroying the path to humanity’s downfall, the advancements learned through the finding of the chip and hand remnant from the previous T-800 machine. James Cameron co-writes and directs this big-budget smash.