Michael Nouri stars as LAPD detective Tom Beck, who takes down a bank robber gone berserk in one of the bloodiest shootouts in department history. What Beck doesn’t know is that the culprit is actually being controlled by a parasite within his body that loves danger, money, speeding, and good ol’ rock-n-roll, and it can’t be killed by normal means, and moves from host to host whenever the body it is in is about to expire. Enter FBI agent Lloyd Gallagher (Kyle MacLachlan), on assignment from Seattle to help apprehend the perpetrator(s) on a killing spree the likes of which have the LA cops stymied. Gallagher seems to hold the key as to why normally good people are going bad all of a sudden, but he’s not letting on why. Jack Sholder directs.
Set in the near future of 1991, it’s been three years since the landing of an actual flying saucer landed on Earth, containing a species of aliens (dubbed “Newcomers”) who had been genetically engineered as slave laborers. The Newcomers are smarter and physically stronger than their human counterparts, which makes them more suitable to perform certain jobs, and the backlash against them from the human population is escalating daily. In this environment, Detective Sergeant Matt Sykes (James Caan) has his partner killed by one of the alien “slags”, making it his mission to take down the ones responsible. He voluntarily requests to be partnered with the first Newcomer police detective, Sam Francisco (Mandy Patinkin) – Sykes calls him “George” instead, and while they haven’t been specifically assigned the homicide case, Sykes won’t stay off of it, employing Sam’s help as needed in order to get to the bottom of the underworld slag crime syndicate. Directed by Graham Baker from a script by Rockne S. O’Bannon and an uncredited James Cameron.
Chevy Chase plays a Los Angeles Times investigative reporter named Irwin M. Fletcher (he prefers to be called by his nickname, “Fletch”) under the pseudonym of Jane Doe. While working undercover trying to uncover the secret to a major beachside drug ring, Fletch is approached by a wealthy businessman named Alan Stanwyk (Tim Matheson) who thinks he is a transient and makes him an offer of $50,000 to kill him. The story is that he has bone cancer and doesn’t want to be around to enjoy the most painful aspects of the disease and wants his wife to get the insurance on it by getting killed. Sensing another scoop, Fletch agrees and soon learns that the two stories he is covering are almost one and the same. Michael Ritchie directs this silly but witty comedy.
The date is November 2019. The city is Los Angeles. Earth has undergone massive population explosions in the urban areas, the city landscape is a mish-mash of every culture, and almost everywhere you go there are advertisements. The most prominent of these advertisements is floating space-barge advertising the Off-World colonies, offering excitement and adventure. It appears there’s much excitement to be true, when six replicants (android-like creations that resemble humans in nearly every possible way, with the exception of enhanced agility and strength, constructed to work as slaves in off-world colonies) commit mutiny and escape to Earth, where they have been outlawed under penalty of death, to find a way to increase their four year lifespan, causing a Blade Runner named Deckard (Harrison Ford), a special LAPD task force whose job is to kill any and all replicants, to come out of retirement. This visionary sci-fi masterwork is directed by Ridley Scott.
Trancers starts off in the neon-tinged year of 2247, where we find much of old Los Angeles (now called “Angel City”) submerged by the ocean. Law enforcement officers called “Troopers”, like Jack Deth (Tim Thomerson), are taking down (referred to as “singeing”) “trancers”, which are weak-minded people (dubbed “squids”) who can easily come under the hypnotic, homicidal zombie-like spell (“not quite alive, not dead enough”) of nefarious Charles Manson-esque cult leader Martin Whistler (Michael Stefani), who Deth sees as responsible for the murder of his wife. Deth thinks he has taken down Whistler once and for all, only to learn that the telepathic supervillain is still alive, but has avoided Deth (and death) by traveling back in time to Los Angeles in late 1985 with something called “time serum”, where one can go back through time by their conscience into the body of another person in their direct family lineage of the past.
There and then, Whistler hopes to terminate the ancestors of the three-person “High Council of the Western Territories” members who took him down in 2247. Jack Deth always gets his man, so he too goes back in time to stop Whistler once and for all, inhabiting his consciousness into one of his own ancestors, a sleazeball journalist named Philip Dethton, who happens to be a dead ringer. Along with Phil’s young girlfriend Leena (Helen Hunt), Deth is going to be crafty to take down his target, as Whistler is inhabiting the body of his own ancestor, who happens to be an LAPD detective, and has already channeled a number of “trancers” to his cause to protect him as he tries to take down the last Council member’s ancestor, a down-and-out, alcoholic ex-pro baseball pitcher currently living on Skid Row (Biff Manard).