Former “Solid Gold” dancer Lucinda Dickey stars as Kelly, a waitress by day, aspiring jazz dancer in her spare time. She has the looks and talent to go far, at least according to her dance instructor, but this move seems to come at a price, as he wants a little action on the side to help her career. She makes friends with a couple of local street dancers, aka break-dancers, Ozone and Turbo, and she becomes enamored of the mannerisms and moves of the street dancers. They agree to teach her some steps in order to gain street rep, while she has a crazy idea to make break-dancing more mainstream in the form of a staged musical about it. Alas, the conservative art crowd scoffs at the idea, as do the rival street-dancing crews who want to be prove they are the best of the bunch.
Producer and activist Harry Belafonte’s commercialized slice-of-life drama stars Guy Davis as Kenny ‘Double K’ Kirkland, a South Bronx hip-hop DJ with big dreams, and Jon Chardiet as Ramon, a Puerto Rican graffiti artist who would rather tag trains than get a real job. Rae Dawn Chong is Tracy, an upper-class music student from a college in Manhattan who sees something in Kenny’s proficiency with turntablism to want him to assist with her presentation on break-dancing.
The seminal hip-hop film looks at underground Bronx art culture, including rap, graffiti art, break-dancing (aka b-boying) and DJing (aka turntablism), as we follow the exploits of a graffiti artist named Zoro and his quest to take his art and make it a living. Charlie Ahearn and Fab 5 Freddy created this film to expose to the world the genuine artistry and talent going on in the South Bronx, with lost of scenes of the authentic underground artists and their phenomenal talents. Imitated, but never duplicated, WILD STYLE is the grand daddy of all films covering hip-hop.
Christopher Walken stars as a scientist out to protect his project, one that involves being able to experience the senses and emotions of another person, from getting into the wrong hands. Natalie Wood, in her final film role, co-stars as the wife he is about to lose, if only they could remember the love they once had. Special effects wizard Douglas Trumbull directs this troubled but still intriguing science fiction exploration that was, perhaps, too ahead of its time to transplant what he envisioned into our own minds.
Francis Ford Coppola directs this fluffy but endearing film that asks the age-old question, “what if we could do it all over again?” An Oscar-nominated performance from Kathleen Turner bolsters this whimsical romantic comedy-drama with a time-travel twist, with a quirky role for Nicolas Cage as her no-good husband.
Don Bluth collaborates with executive producer Steven Spielberg again, this time also joining forces with George Lucas for THE LAND BEFORE TIME, the film that would kick off a series of ten additional straight-to-video animated features for kids. Dinosaurs were all the rage, and Bluth and co. rode the wave to box office success with this feature about a young dinosaur that must find his way to the Great Valley, with the help of a variety of adorably cute dino friends.
Don Bluth’s second feature film as director sees him joining forces with producer Steven Spielberg for AN AMERICAN TAIL, which details the immigrant experience for many of American ancestors in their long journey to the land of freedom and opportunity. Drawing from anecdotal material from Spielberg’s own grandfather’s stories, this heartwarming animated feature would go on to earn the most money up to that point at the box office for a film on its first run. The first of several animated adventures featuring hero Fievel Mousekewitz.