Norman Bates (Anthony Perkins) finally gets his release from a California mental institution after he is found guilty by reason of insanity for the heinous murders he committed over 22 years prior. Lila Loomis (Vera Miles), sister of one of Bates’ victims, has her pleas for a non-release fall on deaf ears. Having been declared of ‘sound mind’ again, Norman returns to his gothic childhood home and Bates Motel near Fairvale, CA, and takes up a job while on parole at a diner nearby. Norman becomes fast friends with a waitress there named Mary Samuels (Meg Tilly), and he ends up offering her a room for a while after her boyfriend tosses her out for someone new. However, as much as Norman tries to put the past behind him, he is beginning to get that old feeling again, as he begins receiving handwritten notes and phone calls from his mother, as well as her appearance in the house at various times, and people begin to start dying once again.
Real-life married couple Hume Cronyn and Jessica Tandy star as Frank and Faye Riley, the owners of a small diner in a dilapidated building that also houses their apartment in the slums of Manhattan. The rest of the tenants of the building are being paid off to evacuate ASAP, so that greedy land developers can take over and demolish the building in order to erect some high-rise corporate edifices. Those that refuse are being threatened with injury “or worse” by some local thugs that are also on the corporate payroll to scare the bejesus out of the remaining tenants. Without anyone to turn to, a desperate plea may have saved the day, as a couple of miniature flying saucers arrive, consuming metal materials and then fixing up damaged parts of the building. The saucers befriend the remaining tenants, although the thugs and land developers are determined to put an end to this new development even if it costs lives in the process. Steven Spielberg produced this quaint sci-fi fairy tale.