Poltergeist II: The Other Side seeks to give more back story to the events of the first film, why the youngest child in the Freeling family had been wanted by the spirits, and the nature of the cult from which the spirits culminated, headed by Reverend Henry Kane (Julian Beck). Kane manifests himself in human form in this sequel, tenacious in his pursuit of young Carol Anne (Heather O’Rourke), now moved away with her family in the hope they could start a new life for themselves. Tangina Barron (Zelda Rubinstein), the paranormal investigator from Poltergeist, sends out a Native American shaman (Will Sampson) to help protect the family once she discovers the hidden cave buried in the ground where Kane and his followers died, knowing that the family will not be able to escape Kane’s interest no matter where they might go. Craig T. Nelson, JoBeth Williams, and Oliver Robins return.
The setting of this fantasy-adventure based on Robert E. Howard’s literary creations is the Hyborian Age, a fictional period invented by Howard, around 10,000 B.C. It is a time of magic, madmen, and mercenaries, and barbarians who kill before they end up killed. The film starts with Conan (Arnold Schwarzenegger) as a young lad in Cimmeria, orphaned at the hands of an evil snake cult-leader and a black-magic sorcerer named Thulsa Doom (James Earl Jones), and becomes a slave. As he grows, he soon fights in an arena for sport and becomes very good at what he does. Soon, he escapes and uses his freedom to seek revenge on the man responsible for the murder of his parents, with some help from new friends he meets along the way. Sandahl Bergman, Gerry Lopez, Mako, and Max Von Sydow co-star. John Milius directs. Milius and Oliver Stone script.
Adrian Pasdar stars as Caleb Colton, a young and somewhat passive small-town guy in Oklahoma who has his eye set on a visiting mysterious boyish beauty named Mae (Jenny Wright). Caleb and Mae spend the night talking and flirting, but Mae has to make it home before the sun comes up, for reasons that aren’t too clear for Caleb. Before the end of the evening, Mae bites Caleb on the neck, although she doesn’t really drink his blood, setting forth a reaction in his body that makes him very strong and agile, fry up in direct sunlight, and crave human blood himself. Before Caleb can get home, he is “adopted” by his new family, a clan of immortals with the same condition he is in, although they aren’t taking too kindly to Mae’s decision to “turn” Caleb into one of them, especially since she must feed him from her own blood. Caleb doesn’t want to kill other humans like the others, but to be part of them, he finds he must, because he can’t survive on his own. Tensions flare in the group, as well as within Caleb himself, as to what the proper thing to do is. Lance Henriksen, Jenette Goldstein, and Tim Thomerson, and Bill Paxton get supporting roles. Kathryn Bigelow’s debut as a solo director.
While INDIANA JONES AND THE TEMPLE OF DOOM is a sequel to Raiders of the Lost Ark, it’s really a prequel, set in 1935, a year before. Indiana Jones (Harrison Ford) finds himself in Shanghai on the hunt for a precious diamond, but gets in over his head, chased out of town with his assistant, a young boy nicknamed Short Round (Jonathan Ke Quan), and Willie Scott (Kate Capshaw), a ditsy, blonde, nightclub singer. Having to make a hasty exit into the Himalayas from a crashing airplane, Indy and friends find themselves in a starving village in India, who see their visitors as saviors destined to save their children who they believe have been taken away by resurrected forces of evil at a formerly abandoned palace. The trio set off for the palace in search of lost children, a sacred stone…and fortune and glory.