Hands of Steel is an Italian-produced film obviously influenced by James Cameron’s The Terminator if combined with the basic plot of First Blood. Set in the near future, we find a beefy thug (Daniel Greene) has been brainwashed by the evil head of a pollution-spewing corporation called the Turner Foundation, headed by John Saxon’s Francis Turner, we soon learn, to assassinate a popular ecological guru leading an environmental movement that is set to make major radical changes to the drastically worsening country. But he’s no ordinary thug; Paco Queruak is a war veteran that was left for dead before getting his body used for a radical cyborg assassin experiment, rendering him with an electronic mind and a body of hardened steel, underneath his very human-like exterior. However, at the last second, his human side begins to question what he’s doing, leaving him on the run from the organization that made him in order to hide their tracks. Paco goes on the lam to his old stomping grounds in Arizona, where he meets a lovely motel and bar owner named Linda who offers him room and board in exchange for doing some chores around the property. Meanwhile, he engages the locals in arm wrestling contests he can easily best them in. Meanwhile, he’s being pursued by a world-class hitman, and also the FBI.
Howard Ashman and Alan Menken’s off-Broadway darkly comical stage musical came to life in 1986, directed by Muppet-alum Frank Oz, featuring Rick Moranis, and small roles for Steve Martin, Bill Murray and John Candy. Ellen Greene co-stars in this story about a 1960s loser who finds success with an exotic plant that makes all his dreams come true, if only he finds a way to keep it fed — with human blood! Production design and the catchy tunes makes this a favorite musical from the 80s.
Marvel joined with Sunbow to deliver the first of four animated feature films based on Hasbro toys in the 1980s with 1986’s MY LITTLE PONY: THE MOVIE, which took the popular toy line of dolls resembling ponies and other animals (plus a few humans) and pitted them against three dastardly witches who can’t stand their rampant pleasantness. Danny DeVito, Cloris Leachman, Madeline Kahn, Rhea Perlman and Tony Randall do their best to bring this colorful musical adventure to life. Critically and commercially tanking at the box office at the time, it’s about time we look this gift horse in the mouth and see what we find with this retrospective review!
The first of four feature-length ventures between Marvel Productions and Sunbow Entertainment that centered on toys made by Hasbro, THE TRANSFORMERS: THE MOVIE would make for an ambitious way to not only sell toys and entertain fans, but also to set for a new course for the animated TV series, in this bridge between the second and third seasons of the show. A critical and commercial misfire, the film has gained cult status among Transformers property aficionados and lovers of cultural oddities of the 1980s, not only for its bold story choices, but also for its eclectic voice actors (Orson Welles, Judd Nelson, Eric Idle, Leonard Nimoy, Casey Kasem, Robert Stack, Lionel Stander, John Moschitta Jr, and Scatman Crothers), as well as its driving hair-metal soundtrack.
Francis Ford Coppola directs this fluffy but endearing film that asks the age-old question, “what if we could do it all over again?” An Oscar-nominated performance from Kathleen Turner bolsters this whimsical romantic comedy-drama with a time-travel twist, with a quirky role for Nicolas Cage as her no-good husband.
Don Bluth’s second feature film as director sees him joining forces with producer Steven Spielberg for AN AMERICAN TAIL, which details the immigrant experience for many of American ancestors in their long journey to the land of freedom and opportunity. Drawing from anecdotal material from Spielberg’s own grandfather’s stories, this heartwarming animated feature would go on to earn the most money up to that point at the box office for a film on its first run. The first of several animated adventures featuring hero Fievel Mousekewitz.
Jennifer Connelly is cast in one of her first starring roles as Sarah, a teenage girl who has grown tired of her stepmother and father leaving her home alone to babysit her infant brother, Toby. In a bout of exasperation, she wishes him away, and inadvertently summons the vain and moody Goblin King of myth, Jareth (played by David Bowie), who kidnaps the baby and steals him away into his fantasy realm. There, the baby boy remains hidden in a dangerous castle in the middle of an ornate labyrinth. If Sarah wants a chance at getting the brother she really didn’t want to go back, she must traverse the enigmatic trail before midnight, or the Goblin King gets to keep Toby forever.