The seminal hip-hop film looks at underground Bronx art culture, including rap, graffiti art, break-dancing (aka b-boying) and DJing (aka turntablism), as we follow the exploits of a graffiti artist named Zoro and his quest to take his art and make it a living. Charlie Ahearn and Fab 5 Freddy created this film to expose to the world the genuine artistry and talent going on in the South Bronx, with lost of scenes of the authentic underground artists and their phenomenal talents. Imitated, but never duplicated, WILD STYLE is the grand daddy of all films covering hip-hop.
The loose story of how Def Jam came to be, featuring the hottest hip-hop artists of the mid-1980s, Run-DMC, Kurtis Blow, The Fat Boys, LL Cool J, The Beastie Boys, and many more. Blair Underwood plays Russell, whose management company is coming up with some hot musical acts, including Run-DMC, featuring his brother Joe, who he ends up losing to some rivals offering more money. He gets into a financial pickle, while also romancing a hot funk-pop talent named Sheila, whom Joe also has a thing for. Michael Schultz directs this fan-favorite kitsch on hip-hop’s early days.
Taimak stars as a young African-American Harlemite who is a devout student of martial arts. He lives kung fu, breathes kung fu and is so entrenched in the ways of the kung fu warrior, he stands out in his predominantly Black community for his lack of hipness and Asian-tinged wardrobe (he even eats his movie popcorn with chopsticks). He is sent out into the world from his master teacher to reach the final level of his training to become a true kung fu master, involving a golden amulet and a master named Som Dom Goy. Meanwhile, his quest is detoured by constant disruptions by a neighborhood bully, Sho’Nuff. who, along with his gang of thugs, are terrorizing the neighborhood. Leroy also gets embroiled with an even bigger bad guy, amoral record producer Eddie Arkadian, whose quest to get his girlfriend’s video played on the hottest music show on TV hosted by singer/VJ Laura Charles causes them to get physical. Leroy becomes Laura’s reluctant bodyguards, and the sparks between them suggest that they might have something more going on.
Sarah Jessica Parker stars as a Chicago teenager who works her tail off for a spot as a dance on her favorite dance show on television, but spats with her dance partner and a potentially rigged contest makes for a great challenge to success, not to mention her father will not approve if he finds out about her pursuit. Helen Hunt, Shannon Doherty, Jonathan Silverman, and Lee Montgomery get supporting roles in this film that takes its title from the Cyndi Lauper song.
John Waters writes and directs this most accessible of his films, his only one to be rated PG, with HAIRSPRAY, the film that made Ricki Lake a prominent star to be. Set in 1962, HAIRSPRAY explores race and class in a mostly divided Baltimore, where teens of different races weren’t allowed to dance on the same show at the same time. Tracy Turnblad doesn’t see why they can’t all be one happy group, vowing to turn the local variety show to reflect the diversity of the town itself. Debbie Harry, Sonny Bono, and Divine also appear.
The sixth and final in the original Freddy Krueger arc finds us ten years in the future, where the psycho demon has killed off all but one of the original Elm Street children. Needing new souls to maintain his power, Freddy plans to use the last teen to get him out of Springwood to new towns and new teens to murder. However, his past comes back to haunt him in a big way, leading Freddy to have to battle for his life beyond the dream realm. Rachel Talalay takes over the directorial chores in this lighter entry in the series.
The fifth entry in the A NIGHTMARE ON ELM STREET series sees the return of Lisa Wilcox as the heroine, Alice, taking on Freddy Krueger (Robert Englund) yet again, who has come back to haunt her nightmares through her unborn child. Freddy wants to be reincarnated by feeding the fetus the soul of Alice’s friends, and with the baby asleep most of the time, the terrifying dreams seem non-stop. Stephen Hopkins directs this darker and gloomier installment.
Future action movie maestro Renny Harlin came to Hollywood from Finland to take over the NIGHTMARE ON ELM STREET franchise for one entry with THE DREAM MASTER, in which Freddy Krueger gets resurrected in order to get revenge on those who put him in his grave, and to hopefully take a few more teenage souls along the way. Brian Helgeland co-scripts this effort that brings together Robert Englund, Tuesday Knight, Lisa Wilcox, Rodney Eastman, Ken Sagoes, and Danny Hassel. The result would prove to be the biggest box-office success for the series to that point, and a killer soundtrack to boot.
The third time was certainly the charm in the Nightmare on Elm Street” series with DREAM WARRIORS, which put together a team of adept but troubled teenagers in taking on the fiercely powerful (and growing more so by the day, Freddy Krueger, who is out to kill these kids in their nightmares. Nancy Thompson (Heather Langenkamp) is back to show them how to defeat the evil rascal, but they need to work as a team to do it. The debut role for Patricia Arquette, plus an early appearance from Laurence Fishburne, make it a highlight, along with, of course, Robert Englund in his most iconic of roles. Chuck Russell directs from a screenplay whose talent includes Frank Darabont and Wes Craven himself.
A very speedy follow-up to A NIGHTMARE ON ELM STREET replaces Wes Craven as the creative force, taking the series in a new and unexpected direction under the guiding influence of Jack Sholder. Screenwriter David Chaskin supplies the subversive screenplay that caused it to become a cult hit in the gay horror-loving community for its homoerotic subtext that adds one more layer to this story of a confused teenage boy struggling to control his impulses driving him to commit heinous acts, with only the love of his gal pal to perhaps curb him from doing Freddy’s bidding. While derided at the time of its release, the film has its champions, even if it deviates the most from Craven’s vision among the sequels. Mark Patton, Kim Myers and Robert Englund star.
Wes Craven refreshed the struggling slasher film genre with this more surreal and intense take, saving New Line Cinema with one of the big surprise hits of 1984: A NIGHTMARE ON ELM STREET. Heather Langenkamp stars as Nancy Thompson, who finds out that she is not alone in having a recurring dream about a badly burnt and scarred man named Freddy Krueger who terrorizes her with horrific acts of terror (Craven says that the character’s name was based on a school mate who bullied him as a child). What’s even more scary is that her friends are starting to die mysteriously, and Nancy is sure that if she were to fall asleep and dream, she will be next in line to be a victim. Her parents think here is something wrong with her, and the local police can’t believe a word of it, so she must fend for herself. But surely she can’t stay awake forever! John Saxon, Johnny Depp and Robert Englund also co-star in this first of many films in the long-running and beloved horror series.
Dreamscape stars Dennis Quaid as a psychic enlisted into a top-secret government experiment that puts him into the nightmares of another person in order to cure them. However, when the President of the United States becomes the subject, he finds himself embroiled in a plot to assassinate the world leader in his sleep. Kate Capshaw, Max von Sydow and Christopher Plummer co-star in this low-budget but high-concept sci-fi/thriller that would be the precursor to a great many genre films, including THE MATRIX.
Christopher Walken stars as a scientist out to protect his project, one that involves being able to experience the senses and emotions of another person, from getting into the wrong hands. Natalie Wood, in her final film role, co-stars as the wife he is about to lose, if only they could remember the love they once had. Special effects wizard Douglas Trumbull directs this troubled but still intriguing science fiction exploration that was, perhaps, too ahead of its time to transplant what he envisioned into our own minds.
Joe Dante’s Explorers marks the big screen debuts of two future stars, Ethan Hawke and River Phoenix, who, along with Jason Presson, make up the three young boys with a thirst for adventure and scientific exploration. In their dreams, the boys have a connection to a circuit board that they eventually use to build their own little hovering spacecraft, thanks to the help of a strange spherical energy capsule in which they place an abandoned tilt-a-whirl carriage that they use their computer to control. The makeshift spaceship gets them into all sorts of adventures, before culminating in a close encounter with aliens in outer space.
Disney’s first big foray into the realm of computer animation would prove to be a box office disappoiuntmen in 1982, but garner a legion of fans over the years for its revolutionary design work and the influence it still continue to have in science fiction today. Jeff Bridges stars as Kevin Flynn, video game programmer, who is ripped off of several ideas by an unscrupulous power hungry man named Ed Dillinger. Dillinger soon starts a meteoric rise to the top of a powerful global corporation, Encom, while the computer that runs it has become so powerful that it is a life-force unto itself, thinking and talking (not to mention plotting world domination). Flynn tries to hack into the computer to get evidence of Dillinger’s theft, when the Master Control Program sucks Flynn into its own cyber-world, dubbed “the grid”, where programs in the voice and form of the programmers that created them are mere toys by which Master Control Program uses for its own enjoyment. Bruce Boxleitner, Cindy Morgan and David Warner also star in this film by Steven Lisberger.