Norman Bates (Anthony Perkins) finally gets his release from a California mental institution after he is found guilty by reason of insanity for the heinous murders he committed over 22 years prior. Lila Loomis (Vera Miles), sister of one of Bates’ victims, has her pleas for a non-release fall on deaf ears. Having been declared of ‘sound mind’ again, Norman returns to his gothic childhood home and Bates Motel near Fairvale, CA, and takes up a job while on parole at a diner nearby. Norman becomes fast friends with a waitress there named Mary Samuels (Meg Tilly), and he ends up offering her a room for a while after her boyfriend tosses her out for someone new. However, as much as Norman tries to put the past behind him, he is beginning to get that old feeling again, as he begins receiving handwritten notes and phone calls from his mother, as well as her appearance in the house at various times, and people begin to start dying once again.
Chevy Chase plays a Los Angeles Times investigative reporter named Irwin M. Fletcher (he prefers to be called by his nickname, “Fletch”) under the pseudonym of Jane Doe. While working undercover trying to uncover the secret to a major beachside drug ring, Fletch is approached by a wealthy businessman named Alan Stanwyk (Tim Matheson) who thinks he is a transient and makes him an offer of $50,000 to kill him. The story is that he has bone cancer and doesn’t want to be around to enjoy the most painful aspects of the disease and wants his wife to get the insurance on it by getting killed. Sensing another scoop, Fletch agrees and soon learns that the two stories he is covering are almost one and the same. Michael Ritchie directs this silly but witty comedy.