Rounding out this trio of Hasbro toy-based films put out by Marvel/Sunbow in the mid-1980s, “GI Joe: The Movie” has the dishonorable distinction of being funneled straight to video and subsequently syndicated on television due to the lack of success for the “Transformers” and “My Little Pony” movies at the box office the year before. But does that mean it’s a bad film? Well, some might argue yes, others hell no, and many more fall under the category of loving it because it embraces its flaws and plays them up to maximum entertainment. Don Johnson and Burgess Meredith provide voices for this completely off-the-hook action-adventure-science fiction extravaganza that serves as a precursor to the dumb-but-fun action blockbusters people either love or love to hate from the 1990s.
The first of four feature-length ventures between Marvel Productions and Sunbow Entertainment that centered on toys made by Hasbro, THE TRANSFORMERS: THE MOVIE would make for an ambitious way to not only sell toys and entertain fans, but also to set for a new course for the animated TV series, in this bridge between the second and third seasons of the show. A critical and commercial misfire, the film has gained cult status among Transformers property aficionados and lovers of cultural oddities of the 1980s, not only for its bold story choices, but also for its eclectic voice actors (Orson Welles, Judd Nelson, Eric Idle, Leonard Nimoy, Casey Kasem, Robert Stack, Lionel Stander, John Moschitta Jr, and Scatman Crothers), as well as its driving hair-metal soundtrack.
Ray Harryhausen’s final film marked the popular early 1980s adventure based on ancient Greek myths, CLASH OF THE TITANS. Harry Hamlin stars as Perseus, the illegitimate mortal son of Zeus who ends up falling for the beautiful princess Andromeda, having to overcome puzzles and a variety of vicious beasts in order to gain her hand in marriage. If only she weren’t slated to be sacrificed to the giant (and reportedly invincible) Titan known as the Kraken…
Laurence Olivier, Maggie Smith, and Burgess Meredith are in supporting roles in this dated but charming fantasy flick.
The much-maligned 1980 musical gets re-evaluated in this podcast review. Olivia Newton-John plays a muse who is sent to earth to inspire a struggling artist (Michael Beck) fulfill his dream of starting a roller-disco club with a retired construction magnate (Gene Kelly). Newton-John and pop group ELO deliver a powerhouse soundtrack in this visually impressive first effort from future political documentarian Robert Greenwald.