Future action movie maestro Renny Harlin came to Hollywood from Finland to take over the NIGHTMARE ON ELM STREET franchise for one entry with THE DREAM MASTER, in which Freddy Krueger gets resurrected in order to get revenge on those who put him in his grave, and to hopefully take a few more teenage souls along the way. Brian Helgeland co-scripts this effort that brings together Robert Englund, Tuesday Knight, Lisa Wilcox, Rodney Eastman, Ken Sagoes, and Danny Hassel. The result would prove to be the biggest box-office success for the series to that point, and a killer soundtrack to boot.
The third time was certainly the charm in the Nightmare on Elm Street” series with DREAM WARRIORS, which put together a team of adept but troubled teenagers in taking on the fiercely powerful (and growing more so by the day, Freddy Krueger, who is out to kill these kids in their nightmares. Nancy Thompson (Heather Langenkamp) is back to show them how to defeat the evil rascal, but they need to work as a team to do it. The debut role for Patricia Arquette, plus an early appearance from Laurence Fishburne, make it a highlight, along with, of course, Robert Englund in his most iconic of roles. Chuck Russell directs from a screenplay whose talent includes Frank Darabont and Wes Craven himself.
A very speedy follow-up to A NIGHTMARE ON ELM STREET replaces Wes Craven as the creative force, taking the series in a new and unexpected direction under the guiding influence of Jack Sholder. Screenwriter David Chaskin supplies the subversive screenplay that caused it to become a cult hit in the gay horror-loving community for its homoerotic subtext that adds one more layer to this story of a confused teenage boy struggling to control his impulses driving him to commit heinous acts, with only the love of his gal pal to perhaps curb him from doing Freddy’s bidding. While derided at the time of its release, the film has its champions, even if it deviates the most from Craven’s vision among the sequels. Mark Patton, Kim Myers and Robert Englund star.
Wes Craven refreshed the struggling slasher film genre with this more surreal and intense take, saving New Line Cinema with one of the big surprise hits of 1984: A NIGHTMARE ON ELM STREET. Heather Langenkamp stars as Nancy Thompson, who finds out that she is not alone in having a recurring dream about a badly burnt and scarred man named Freddy Krueger who terrorizes her with horrific acts of terror (Craven says that the character’s name was based on a school mate who bullied him as a child). What’s even more scary is that her friends are starting to die mysteriously, and Nancy is sure that if she were to fall asleep and dream, she will be next in line to be a victim. Her parents think here is something wrong with her, and the local police can’t believe a word of it, so she must fend for herself. But surely she can’t stay awake forever! John Saxon, Johnny Depp and Robert Englund also co-star in this first of many films in the long-running and beloved horror series.
Dreamscape stars Dennis Quaid as a psychic enlisted into a top-secret government experiment that puts him into the nightmares of another person in order to cure them. However, when the President of the United States becomes the subject, he finds himself embroiled in a plot to assassinate the world leader in his sleep. Kate Capshaw, Max von Sydow and Christopher Plummer co-star in this low-budget but high-concept sci-fi/thriller that would be the precursor to a great many genre films, including THE MATRIX.
Christopher Walken stars as a scientist out to protect his project, one that involves being able to experience the senses and emotions of another person, from getting into the wrong hands. Natalie Wood, in her final film role, co-stars as the wife he is about to lose, if only they could remember the love they once had. Special effects wizard Douglas Trumbull directs this troubled but still intriguing science fiction exploration that was, perhaps, too ahead of its time to transplant what he envisioned into our own minds.
Joe Dante’s Explorers marks the big screen debuts of two future stars, Ethan Hawke and River Phoenix, who, along with Jason Presson, make up the three young boys with a thirst for adventure and scientific exploration. In their dreams, the boys have a connection to a circuit board that they eventually use to build their own little hovering spacecraft, thanks to the help of a strange spherical energy capsule in which they place an abandoned tilt-a-whirl carriage that they use their computer to control. The makeshift spaceship gets them into all sorts of adventures, before culminating in a close encounter with aliens in outer space.
Disney’s first big foray into the realm of computer animation would prove to be a box office disappoiuntmen in 1982, but garner a legion of fans over the years for its revolutionary design work and the influence it still continue to have in science fiction today. Jeff Bridges stars as Kevin Flynn, video game programmer, who is ripped off of several ideas by an unscrupulous power hungry man named Ed Dillinger. Dillinger soon starts a meteoric rise to the top of a powerful global corporation, Encom, while the computer that runs it has become so powerful that it is a life-force unto itself, thinking and talking (not to mention plotting world domination). Flynn tries to hack into the computer to get evidence of Dillinger’s theft, when the Master Control Program sucks Flynn into its own cyber-world, dubbed “the grid”, where programs in the voice and form of the programmers that created them are mere toys by which Master Control Program uses for its own enjoyment. Bruce Boxleitner, Cindy Morgan and David Warner also star in this film by Steven Lisberger.
Henry Thomas plays Davey, a young San Antonio boy with a vivid imagination and a love o fantasy games. The lines between fantasy and reality blur when he ends up in possession of a video game cartridge that is the conduit for top secret information wanted by some pretty bad hombres who will kill to get it. With the help of his imaginary friend, the daring man of adventure named Jack Flack, Davey must find a way to survive before more people end up dead — including him! Richard Franklin directs from a Tom Holland script.
Matthew Broderick and Ally Sheedy star in this major hit from 1983, one of the first films to break through into the world of hacking and the burgeoning internet, WarGames. Directed by John Badham, this tells the tale of a teenager who hacks into a database he thinks will allow him to play a not-yet-released video game only to discover he’s in a machine used by the military to launch nuclear missiles in a time of crisis. The computer has games of its own, one called “Global Thermonuclear War”, but the teenager soon discovers that the game may not be a game after all, and the fate of the world hangs in the balance, as the military brass must decide to counterattack what might be a simulation.
Although he had claimed to be done putting on the red cape after SUPERMAN III, Reeve is lured back to make a fourth entry with a different studio from an idea he had written himself to bring back the series to respectability. Alas, it didn’t quite work out that way in the end. Superman makes a decision to meddle in Earth’s affairs by getting rid of all of the nuclear missiles, but Lex Luthor has his own super-powered being to take the Man of Steel down before he interrupts the business of war that Lex relies upon for his riches. In addition to Reeve, Margot Kidder returns to a sizable role, and Gene Hackman returns to the series as Luthor. Where did it all go so wrong when so much seems so right? Vince takes a closer examination on this episode.
Just as Kal-El was sent by his parents to Earth from a dying planet in order to save him, so too did Alexander and Ilya Salkind try to save their dying franchise by trying to spin it off with a new character with Kara, Superman’s cousin, better known as Supergirl! Things didn’t quite go according to plan, however. Helen Slater is fetching in the title role, and Faye Dunaway suitably sinister, in the best of ways, as Selena, the sexy and scheming sorceress out to conquer the world. Is it fun? Is it dumb? Is it dumb fun? Yes, yes, and yes!
Gone is Richard Donner, gone is Gene Hackman, and gone is the epic feel of the SUPERMAN series with SUPERMAN III, in which the creators finally wrest the controls away to make what they’ve been wanting to make all along: comedies! Richard Lester returns as director, as Superman, once again played by Christopher Reeve, has to battle a genius computer hacker played by Richard Pryor from assisting megalomaniac businessman Robert Vaughn from taking over the economic future of the world through computer dominance.
A patchwork film that somehow still works great as a piece of entertainment, despite the switch in directors from Richard Donner to Richard Lester a great deal of the way through. Three power-hungry Kryptonians travel to Earth to dominate it, and the only one who can match them is Superman. Alas, he’s nowhere to be found, and has even sacrificed his powers in order to be with Lois Lane. More emphasis on humor and action than the first time out has some proclaiming that SUPERMAN II is better than the first. I debate my own feelings on which is better on this episode. Christopher Reeve, Margot Kidder and Gene Hackman star, along with Terence Stamp as Zod.
The granddaddy of the modern-day superhero flick, 1978’s SUPERMAN put together a truly epic experience befitting a popular hero on the magnitude of Superman. Richard Donner directed DC Comics’ legendary property from his infancy on the planet Krypton all the way to donning the cape and costume to right wrongs wherever he may find them on Earth as savior of humanity. With treacherous mastermind Lex Luthor out and about, no one is safe, even Superman, if he has his way. Christopher Reeve, Margot Kidder, Gene Hackman and Marlon Brando star in this grand action-adventure with lots of soaring sounds from composer John Williams and fun character touches from a capable cast.