Monthly Archives: January 2019

68 – Stealing Home: BATTERIES NOT INCLUDED (1987)



Real-life married couple Hume Cronyn and Jessica Tandy star as Frank and Faye Riley, the owners of a small diner in a dilapidated building that also houses their apartment in the slums of Manhattan.  The rest of the tenants of the building are being paid off to evacuate ASAP, so that greedy land developers can take over and demolish the building in order to erect some high-rise corporate edifices.  Those that refuse are being threatened with injury “or worse” by some local thugs that are also on the corporate payroll to scare the bejesus out of the remaining tenants.  Without anyone to turn to, a desperate plea may have saved the day, as a couple of miniature flying saucers arrive, consuming metal materials and then fixing up damaged parts of the building.  The saucers befriend the remaining tenants, although the thugs and land developers are determined to put an end to this new development even if it costs lives in the process.  Steven Spielberg produced this quaint sci-fi fairy tale.


67 – Stealing Home: THE BLUES BROTHERS (1980)



The film starts out with Jake Blues (John Belushi) being released from prison, picked up by his brother Elwood (Dan Aykroyd) in a used cop car turned “Blues Mobile”.  They make good on a promise to visit the orphanage they grew up in, only to find it is in danger of being shut down, due needing $5,000 in tax money owed.  With only days to go before it is too late, the Blues Brothers are inspired by a vision from God to save the orphanage, which they plan to do by reuniting the band they played in.  This proves to be a tough task, as all of the members have moved on to other occupations.  Not only this, but along the way, they manage to piss off the police, the Illinois Nazi Party, and just about everyone else they come across in their bid to make enough money to deliver by the deadline without getting caught, or worse.


66 – Breakin’ Through: BREAKIN’ 2: ELECTRIC BOOGALOO (1984)



Somewhere underneath the never-ending music and dance numbers is a story about keeping Shabba-Doo’s community center for inner city youth (named “Miracles”) from falling into the hands of a slimy developer who wants to bulldoze it to erect a shopping center in the middle of the community.  This would leave the kids nowhere else to go, so obviously they choose to fight the city council’s decision to shut it down, but a window of opportunity exists, which calls for $200,000 in necessary repairs.